dc.contributor.author |
Parezanovic, Tijana |
|
dc.date.accessioned |
2023-01-11T08:06:19Z |
|
dc.date.available |
2023-01-11T08:06:19Z |
|
dc.date.issued |
2019 |
|
dc.identifier.citation |
Tijana, Parezanovic.Digital fiction and reading cartographers of urbanity.Timișoara: Politehnica University Press, 2019 Disponibil la https://doi.org/10.59168/GRGV8372 |
en_US |
dc.identifier.uri |
http://localhost:8080/xmlui/handle/123456789/5309 |
|
dc.identifier.uri |
https://search.crossref.org/search/works?q=10.59168%2FGRGV8372&from_ui=yes link DOI |
|
dc.description.abstract |
The interface between literary fiction and digital technologies is creating new forms of
cultural phenomena and enabling new channels of interaction between the text and the reader.
This paper deals with locative digital fiction and, more particularly, James Attlee’s 2017 awardwinning work titled The Cartographer’s Confession, produced as a smartphone application. The
work is considered within the context of urban communication and the framework of Walter
Benjamin’s writings concerning the urban stroller, Robert Tally’s literary cartography, and readerresponse criticism (Wolfgang Iser). The paper addresses the issue of gaps, both cartographic
and narrative, and examines the potential of digital fiction to overcome them and thus facilitate
communication between the text (as map) and its reader, participant in the process of urban
communication. |
en_US |
dc.language.iso |
en |
en_US |
dc.publisher |
Universitatea Politehnica Timișoara |
en_US |
dc.relation.ispartofseries |
Professional communication and translation studies;12 / 2019 |
|
dc.subject |
Digital fiction |
en_US |
dc.subject |
Smartphone |
en_US |
dc.subject |
Application |
en_US |
dc.subject |
The Cartographer’s Confession |
en_US |
dc.subject |
Literary cartography |
en_US |
dc.subject |
Flâneur |
en_US |
dc.subject |
Narrative gaps |
en_US |
dc.subject |
Blank spaces |
en_US |
dc.title |
Digital fiction and reading cartographers of urbanity [articol] |
en_US |
dc.type |
Article |
en_US |