A case study on cancel culture discourse: The theatre of the absurd [articol]

dc.contributor.author	Scalcău, Ana
dc.date.accessioned	2024-12-17T10:32:28Z
dc.date.available	2024-12-17T10:32:28Z
dc.date.issued	2023
dc.identifier.citation	Ana, Scalcău. A case study on cancel culture discourse: The theatre of the absurd. Timişoara: Editura Politehnica, 2023.	en_US
dc.identifier.issn	2065-099X
dc.identifier.uri	https://dspace.upt.ro/xmlui/handle/123456789/6963
dc.description.abstract	The present paper has two main objectives: one is to explore the ways in which political correctness may affect the world of the theatre, the other is to observe the characteristics of the cancel culture discourse. I define cancel culture as one of the many manifestations of political correctness which refers either to promoting or boycotting people and their work for politically correct reasons. The paper is divided into three parts: a presentation of the immediate context in which the discourse was created, a description of the linguistic features of discourse and an analysis of these characteristics from a pragmatic, rhetorical and logical perspective.	en_US
dc.language.iso	en	en_US
dc.publisher	Timişoara: Editura Politehnica	en_US
dc.relation.ispartofseries	Professional Communication And Translation Studies;16 / 2023
dc.subject	Cancel culture	en_US
dc.subject	Call-out culture	en_US
dc.subject	Political correctness	en_US
dc.subject	Amplified pathos	en_US
dc.subject	Binary structures	en_US
dc.title	A case study on cancel culture discourse: The theatre of the absurd [articol]	en_US
dc.type	Article	en_US