Abstract:
The present paper has two main objectives: one is to explore the ways in which political correctness may affect the world of the theatre, the other is to observe the characteristics of the cancel culture discourse. I define cancel culture as one of the many manifestations of political correctness which refers either to promoting or boycotting people and their work for politically correct reasons. The paper is divided into three parts: a presentation of the immediate context in which the discourse was created, a description of the linguistic features of discourse and an analysis of these characteristics from a pragmatic, rhetorical and logical perspective.
